Mexico City and Berlin-based sound artist Concepción Huerta returns with a new full length release, No Queda Nada, Todo Resuena, out July 3rd, 2026 via Signal Noise. The album unfolds across two expansive side-length compositions, introduced with the release of Todo Resuena, a piece driven by spiraling textures, mechanical motion, and dense analog energy.
“Electricity printed onto magnetic tape," she says. "It’s like photographic memory: materiality, light, and frequencies impregnated in the material. Memory as a signal that occurred in time.”
The title No Queda Nada, Todo Resuena draws inspiration from a passage in British composer Daphne Oram’s book An Individual Note of Music, Sound and Electronics. Built around the Buchla 200 synthesizer, magnetic tape manipulation, and 4-track cassette techniques, the record explores the idea of sound as a living archive, something continuously rewritten through repetition, decay, and transformation. With every layer and tape bounce, the material shifts shape, revealing fragile and unpredictable sonic pathways.
“I really like everything she has done in her practice with tape and electricity, so it’s a gesture of admiration for her work and her legacy,” Concepción Huerta shares.
Huerta’s debut album for Signal Noise took shape during her time living in The Hague, where she immersed herself in sonology studies and experimental composition. Later, during a residency at Elektronmusikstudion in Stockholm, she gained access to a rare collection of vintage electronic equipment. Working intuitively with feedback, voltage fluctuations, and unstable patching systems, she sculpted a blurred and deeply tactile sound environment that pulses between control and collapse.
"Multitrack machines function here as extensions of the body and time," she explains. "They are not neutral tools, but surfaces of friction where the signal wears away, duplicates itself, deviates."
ZR